I was sent Sovereign Grace’s latest Christmas Album, Savior, to review by Worship Matters blog. I’ll be honest, my expectations were not that high considering the genre. Christmas music is most often a broad road of lyrical cliche surrounded by cheesy instrumentation and bad group vocals. There are a few exceptions to that terrible generalization and thank God for those exceptions. So I tried to clear my head of any expectation and listen with an open mind and heart. I was pleasantly surprised by what I heard. I’ll give a song by song blow, and then my overall summary. I go with a 5 star system, 5 stars being great, 1 star being not so great.

1. Christ the Lord is Born Today - Pleased to hear a good acoustic guitar mix, recorded very well. Production on this song is really spot on, the Christmas bells weren’t over used, I think they really helped the song. Vocals are great, harmonies are well placed and the melody is interesting while remaining singable. Lyrics are a traditional rejoicing in our Savior’s birth, glad there’s only 3 verses and didn’t go way traditional with 8-9 verses. Mission accomplished on this song, glad to start this record off on a good note, let’s hope it continues. (4 stars)

2. Hope Has Come - Dang, why did they use that drum sample. It sounds straight out of a Casio keyboard Radio Shack gives away in their business card drawings each month. And not in a cool, retro, “yeah we were trying to get that sound” sort of way. Really any sample but that would have done. Mercifully they stop it at verse 2, now I can get back to seeing if the song is good. The chorus is nice, it’s not terribly interesting, but it’s pleasant and engaging. Here come the group vocals, sounding pretty good at first, wish they would have only sung on the “Alleluia” lines, got a little over bearing there for a bit. The ending to the song is very strange, doesn’t seem to fit the progression or vibe of the song, a little out of left field. (2 stars)

3. Emmanuel, Emmanuel - 3rd song in a row with an acoustic guitar into. Hoping this pattern breaks soon. Like the pianos on this song, strings are borderline over used. Not quite ready to say they are yet, but dangerously close. But overall the production is good. This is quite lyrically jam packed, a lot to get out in the verses. Chorus gives a nice change of pace. I like the melody on the final “Emmanuel”, wish that would have been more of a centerpiece in the chorus. (3 stars)

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