Yesterday I posted the video of Tim Smith’s interview with Bob Kauflin and I must say how blessed I was by listening to the interview. I respect both of those men and value both of their insight. I mention in the same post some of the wonderful things that were brought up and I’ll blog more on those in a bit. The first follow up I have though is a disagreement in application of musical gifting in the church.

Around 34:50 of the interview. Bob says,

“…in the church I’m never going to achieve, or want to achieve the degree of musical excellence that I’m probably capable of, because I don’t think all that musical excellence will serve the glory of Jesus Christ in the gathered church.”

I would simply ask, “Why not?” The implication here is musical mediocrity will serve the glory of Jesus in the gathered church and I just don’t buy that at all. I think we’re all grateful Michelangelo didn’t have this attitude when he painted the Sistine Chapel. Surely those in worship would be distracted by the beauty of his art and the level of excellence he demonstrated. Surely it would have been better for him to paint in a more mediocre way so as not to draw attention to the art. Of course not, I don’t think there are many who would make that argument. The Sistine Chapel is one of the world’s greatest artistic expressions of worship ever created, if not the greatest. It’s easy to see the folly in this logic with other forms of art, but for some reason many make this argument when it comes to music.

Bob goes on to refer to something John Piper calls “an undistracting excellence.” Which states that “you are so excellent at what you do that no one really notices” but instead notices how great God is. Before I get rolling here I want to point out, I’ve never read John Piper’s thoughts on this, I’m only commenting on what Bob communicated in the interview. I love John Piper, and Bob Kauflin for that matter, and will certainly look for some text or audio on this topic to see what John has to say.

Now, while I agree fully that our focus should be completely upon the greatness of Jesus I disagree that the better you are musically the more of a barrier you become to that purpose. I also disagree that art is in someway a “distraction” from worshiping God. Our art should be a reflection of good, great and loving God just as our lives should be a reflection of Christ as the image bearers of God. Art is an expression, and to pick a point on a the scale of excellent artistic expression and say, “beyond this point you’ve expressed too well and now you’re a distraction” I think is pretty silly. Quite honestly I find mediocre and poor expression much more distracting than excellent expression and I think most would agree.

Looking at a crappy painting on a wall doesn’t reflect anything of God to me. Looking at the Sistine Chapel however reflects the beauty and majesty of God, not of Michelangelo. Listening to a bunch of mediocre musicians lead worship music by playing an uneven time, singing out of key, and writing terribly boring and poorly crafted melodies does not “better serve the glory of Jesus Christ.” Now I’m not saying Bob is saying this, but what other option are we left with?

We either strive to improve, play our best and craft the most beautiful music we can in response to God giving us the best of himself in his Son, or we stop working at our craft and say this is good enough for God and the body of Christ. I say the latter is not a good option as Malachi 1:7-10 warns, we must offer our best sacrifice of praise. This also means using all wisdom in crafting beautiful but singable songs for the body to unite in. It’s possible folks, we don’t have to sound like Grade C musicians in the church to unite the body, please believe me…please!

Would I write If they would never be heard? I have questioned this many times in the pursuit of the perfect lyrics. Who is my audience? I have longed to hear thousands chanting an anthem of adoration inspired from my time of intimacy with Christ. I have written with this thought lingering at the back of my mind countless times. The question then prods… Who is my audience? Will I write, will I sing, will I play if only for Him. Are not these supposed to be my confessions of devotion to Him? We talk often of the importance of not allowing our musical worship sets to become a show or about us, but I struggle to allow Christ to be the center of my worship on a day-in/day-out basis. Worship, not just being the music, but the life of my highest expressions of service without the lingering question of , “How is this going to benefit me?” So I challenge, write love songs that may only ever be heard by the Lover. Offer outward postures of adoration that will never be seen. Sacrifice even when no one else will smell the aroma. We must learn to make our corporate worship a mere overflow of the deep well of our romance with Christ.