December 01 2009
Sunday Set List: “And then there were 5″
Tagged Under : Jesus Culture, John Mark McMillan, Kim Walker, Robert Robinson, Sunday Set List, Taylor Sorensen, worship

This Sunday we introduced the newest member of Our Rising Sound, Caleb Dailey. Caleb will be doing guitar work and hopefully become a utility guy. It was nice to have a second guitar player to take some of the responsibility off me. I’m very accustom to playing in 3 piece bands as the only guitarist and it’s shaped my playing style to a great extent. But I’m excited to have Caleb playing with us.
We also introduced a new song by Jesus Culture called “Burning Ones.” You may be asking yourself, didn’t Kyle write a post about how theologically unsound some of the lyrics from this song are? The answer is, why yes I did write a post about that, I also wrote a post about how much I dug the song as a whole and in order to fix the lyric problem I changed them. Simple yet effective solution.
Your love is our reward, that’s why we ask for more of You
became
You set our hearts desires, that all our lives bring glory to You
I thought we played it better in practice than we did live, I certainly sang it better in practice. We might do this 1 more week but then Christmas will be upon us so it probably won’t be heard again until next year. I’m late as usual on Christmas planning. Time to cram.
- We Cry Out – Kim Walker (loop available)
- Dress Us Up – John Mark McMillan
- Come Thou Fount – Robert Robinson
- Gloria 34 – Taylor Sorensen (loop available)
- Burning Ones – Jesus Culture (loop available)
This post is part of Fred McKinnon’s Set List Sundays.


Earlier I
The genesis of our arrangements goes a little something like this. I get in the shower and think about the song and work it out in my head for about 30 minutes. Yeah I take long showers, definitely not the “green” way of working arrangements, but it’s what works for me. If I think it’s an arrangement we can nail in pre-service practice we’ll give it a shot. This week I wanted to do Phil Wickham’s Messiah, but we were throwing in a 3rd part, sort of instrumental break with a vocal melody coming over top. We were playing it and it just wasn’t coming together, nobody was comfortable. We took our break for prayer and I decided to play it on acoustic and try the arrangement less “electrified”. Nearly identical arrangement, just different instrumentation and all of a sudden it felt good.
Dynamics are crucial to a good set. Dynamics inside of a song, dynamics in the set as a whole, dynamics in instrumentation and vocals. This week when planning the set I knew I wanted to break down one of the songs acoustically that we had been doing fully electrified with loops. It ended up being an acoustic version of “None But Jesus” at the end of the set and then a reprise of “My Soul Sings” acoustically as well.




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