Where music, culture and worship meet.

This blog examines, reviews and discusses how worship is being lived out in culture and in the church. We tackle everything from songwriting techniques in corporate worship, to interviewing worship leaders and pastors, to reviewing the last big rock concert.

March 25 2008

Working “Reason” into worship, drum loops, synths and other crazy things

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Reason 4I have for quite some time been hoping for a Abelton Live/Reason/synth/jack of all trades musician to come to our church. I love working with it in the studio but I’ve always wanted to get it integrated into our live worship sets. Sadly that person has not walked through the door yet so I got myself  a midi controller(M-Audio Oxygen 8), installed Reason and started hacking away.

I was very impressed with how easy Reason 4 was to work with. I was able to make some real progress really quick, the transport features are similar to standard recording software (Logic/ProTools), the mixer and components are all easy to work with. The patches it comes with are plentiful and give you plenty of avenues of creativity. So I was off and running there. I started looking at Abelton but it felt very Windowsy to me. Being a completely saved man (mac man) I can’t be havin that.  So it’s just Reason for now.

This Easter we tried out our first go at playing with a Reason track. We did a stripped down acoustic version of Mighty Is the Power of the Cross by Chris Tomlin and integrated a reason track I recorded. I think we’ve been reasonably well paced in the progression of musical style in our church and I hope we haven’t left many behind. This was another leap forward and I must admit, my first try at it so it wasn’t all that great but it was a start. For the first time in a long time I was nervous. I was panicking that my computer would shut down or the track would pause or something funky. Thank God it went smoothly, giving me a bit more confidence using this live going forward.

So here’s a 2 minute cut from what we used on the outro. This of course had live vocals as well as an acoustic guitar.

 

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