This song has been on my to do list for some time and is the first song I’m doing as part of the Gospel Community Worship Project. I’ve always loved this song and been in a couple of Delirious’ concerts when they played it live and it was incredible. The arrangement here has the same instrumental hook that makes the song instantly recognizable.

I did make some changes to the end section, namely I don’t do the “there will come a day…” part. I just allow for some repeats on the “Hallelujah” tag. The loop here does have a bass line in it. If you need it muted you’re welcome to download the Reason file and mute it out, or you can comment or contact me and request me to do it for you if you don’t have Reason.

Remember to vote on the loop below, this really helps me get a sense of what folks find useful. Also it is used to calculate top loops widget in sidebar for people to quickly see the better loops.

Song: All God’s Children by Delirious, Album “Kingdom of Comfort”
Key: A
Bpm: 132

Section: Time (bar)

• Verse 1: 0:36 (21)
• Verse 2: 1:05 (37)
• Chorus 1: 1:34 (53)
• Verse 3: 2:18 (77)
• Chorus 2: 3:01 (101)
• Tag: 4:00 (133)
• Instrumental: 4:29 (149)
• Crash Ending: 4:58 (165)

If you download this loop or you’ve benefited in any way or are appreciative of the service, I’d ask that you please consider donating whatever you feel the loop is worth. The amount (including $0) I leave up to you.

 

 All God's Children - Delirious (Loop) [5:13m]: Play Now | Play in Popup | Download

Download: aif / mp3 / mid / rns (Reason 4) / vocal cue

I released the God of This City Loop in Aug of ‘09 and I still get a lot of questions about how this mixes live. The easiest way to explain it is to just let you listen to us play it live. This is a live mix of my band (Our Rising Sound) playing God of This City this past Sunday at Life Connection Church. It’s far from perfect(my vocals stink and need to fix drum micing), but hopefully it will help those interested in the loop hear how we pull it off live.

For those who’ve used the loop themselves if you have recordings of how you’ve used it, I’d love to hear them. Comment away.

Credits:

(@twitter)

Kyle Campos (@kcampos) – vocals, guitar, loop
Kendra Rohl (@krohl) – vocals
Josh Dailey (@joshdailey)- bass
Jon Utter (@jonutter) – drums
Life Connection Church (@LifeConnection) - singing their guts out

 

 Our Rising Sound - God of This City (Live) [6:04m]: Play Now | Play in Popup | Download

If you read this blog with any regularity you may be asking yourself, didn’t Kyle write a post about how theologically unsound some of the lyrics from this song are? The answer is, why yes I did write a post about that, I also wrote a post about how much I dug the song as a whole and in order to fix the lyric problem I changed them. Simple yet effective solution.

Your love is our reward, that’s why we ask for more of You

became

You set our hearts desires, that all our lives bring glory to You

Now onto the loop. This loop uses a bass sequence on the verses second the second chorus. It allows room for a live bass player to play underneath without muddying up the mix, but you can decide how you’d approach that or you can catch my bass player on twitter and ask him his thoughts. The arrangement follows the Jesus Culture arrangement as far as order of song sections.

You can stream the loop below but you are not able to download the loop. In order to download the loop files you need to send payment through PayPal. The price for this loop is $4.99. Once payment is received I’ll contact you and give you download instructions. The following is what’s delivered upon receipt of payment:

• Loop (high quality stereo mp3 and aif)
• Vocal Cue track (aif)
• Master Reason 4 file (rns)
• Arrangement Details (rtf, shows exactly what parts come in at what time)

As always though please comment and rate the loop to let me know what you think. I had a lot of fun making this loop and I’m pleased that the original customer is very happy with it.

Song: Burning Ones by Jesus Culture, Album “Consumed”
Key: G
Bpm: 152 (4/4)

Note: the free podcast file is lower quality mp3 (128kbps)

 Burning Ones by Jesus Culture (loop) [7:03m]: Download

Over the past couple years my heart has really been moved towards re-arranging hymns, due in large part to the influence of Mars Hill’s worship leaders but also due to a conviction on singing theologically rich lyrics. One of my favorite hymns is “The Solid Rock” by Edward Mote. I’ve done a couple versions of this song and always enjoyed E-pop’s version of this song, but on one particular listen it moved from appreciation to an urgency to do it.

Most of the time I try and respond to that urgency in my spirit, there are a lot of songs I have in the queue to loop so I have to prioritize in some way. So this arrangement is a version off of the E-pop arrangement. Same hook in the piano melody but used some different instrumentation, rhythm and added a more heavy instrumental section.

Remember to vote on the loop below, this really helps me get a sense of what folks find useful. Also it is used to calculate top loops widget in sidebar for people to quickly see the better loops.

Song: The Solid Rock by Edward Mote (E-pop arrangement), Album “Rain City Hymnal Vol. 1”
Key: Bm
Bpm: 72 (3/4)
Click-In: 2 bar

Section: Time (bar)

• Verse 1: 0:47 (20)
• Verse 2: 1:27 (36)
• Chorus 1: 1:47 (44) *Note: a beat drops in chorus (each chorus drops a beat)*
• Verse 3: 2:20 (57) *beat 2 is now beat 1*
• Chorus 2: 2:40 (65)
• Verse 4: 3:14 (78) *beat 3 is now beat 1*
• Chorus 3: 3:34 (86)
• Instrumental: 3:47 (92) *back on beat 1*
• Chorus 4: 4:07 (100)
• Outro: 4:20 (105) *beat 2 is now beat 1*

If you download this loop or you’ve benefited in any way or are appreciative of the service, I’d ask that you please consider donating whatever you feel the loop is worth. The amount (including $0) I leave up to you.

 

 The Solid Rock (Loop) [5:13m]: Play Now | Play in Popup | Download

Download: aif / mp3 / mid / rns (Reason 4) / vocal cue

I recently sat down with Adam Pasion who’s new album “O Hear the Rattling” (iTunes) seriously impressed me. The music to me is best described as dark folk, very rich lyrically, with dark melodies and full folk string instrumentation and groove. I’ve not heard another Christian album like this at all, and by Christian album I just mean Adam is a Christian who wants to see Christ glorified in his music, but these aren’t necessarily corporate worship songs.

In part 2 of the interview we talk about the story behind the track “Gypsy Girl.”

 

 Adam Pasion Interview Part 2 - "Gypsy Girl" story [03:33m]: Play Now | Play in Popup | Download

I’ve written previously at how brilliant this song is and how more churches should be doing this song. The bridge for this song is one of the most powerful portions of song I’ve sung, very difficult to get through composed.

He has cheated hell and seated
Us above the fall
In desperate place He paid our wages
One time once and for all

That bridge was the main reason I wanted to do a loop for this. I felt like that part could and should get huge. So the loop is really simple for most of it, just has an organ, some claps, little kick, shaker, cello, but then ramps up on the tag. I spent quite a while getting the proper back and forth shaker action instead of just the single forward action that pretty much all shaker samples use. I know it’s probably not all that impressive to anyone but I was really happy with the end result for the shaker.

You’ll notice my changes in the bridge section and you may also noticed I slowed it down. I like giving the verses a little more room so people don’t get lost in the lyrics.

Song: Death In His Grave by John Mark McMillan, Album “The Medicine”
Key: D
Bpm: 105 (3/4)
Click-In: Fade in with organ

Section: Time (bar)

• Verse 1: 0:27 (17)
• Chorus 1: 0:54 (33)
• Interlude “Ohs”: 1:20 (48)
• Verse 2: 1:41 (60)
• Chorus 2: 2:08 (76)
• Interlude: 2:34 (91)
• Chorus 3: 3:08 (111)
• Interlude: 3:34 (126)
• Bridge: 4:01 (142)
• Solo: 4:56 (174)
• Bridge: 5:24 (190)
• Outro (interlude): 6:18 (222)

If you download this loop or you’ve benefited in any way or are appreciative of the service, I’d ask that you please consider donating whatever you feel the loop is worth. The amount (including $0) I leave up to you.

 

 Death In His Grave (Loop) [7:14m]: Play Now | Play in Popup | Download

Download: aif / mp3 / mid / rns (Reason 4) / vocal cue

This song has been a long, adventurous process. I didn’t write it as a corporate worship song, it actually came together after some wrestling I was doing with God over Lordship of my life. I spoke in a recent Sunday Set List at length about the background of the song but essentially dealt with me handing over my security to Jesus.

The song is based primarily out of Philippians 1, which was challenging to work out of. The text is supremely rich, just not the most melodic phrases to work with, so it was a challenge but I wanted to use it. This recording is from the 2nd time we ever played it live. There’s plenty left to do with the song arrangement wise, so this is pretty raw but I like to get a picture of where the song is heading first naturally before working on tighter arrangement details, loops and such. I really question my judgment releasing songs publicly that are so early in the process, but getting critique at this point is always helpful.

Credits:

Kyle Campos (vocals, guitar)
Kendra Rohl (vocals)
Josh Dailey (Bass)
Jon Utter (Drums)

 

 "Live Or No Longer Live" by Kyle Campos (Live) [7:40m]: Play Now | Play in Popup | Download

Lyrics:

Verse:
The passions of our youth, faded into sin
We laid waste to our call, and shame took us in
But you reached out in the night, left ninety nine behind
A dead man you found, filthy and bound
You loosened the binds, and life now I find

Lead me to live, lead me to live (x2)

Chorus:
Adonai, You gave me life
Now lead me in all that I do
Adonai, in this heart of mine
Shape me in the image of you

Chorus-Out 1:
Rejoicing in all things we sing
Christ be honored now
If we live or no longer live

Chorus-Out 2:
To live is for Christ, die is gain
We are not ashamed
If we live or no longer live

I recently sat down with Adam Pasion who’s new album “O Hear the Rattling” (iTunes) seriously impressed me. The music to me is best described as dark folk, very rich lyrically, with dark melodies and full folk string instrumentation and groove. I’ve not heard another Christian album like this at all, and by Christian album I just mean Adam is a Christian who wants to see Christ glorified in his music, but these aren’t necessarily corporate worship songs.

I enjoy shedding light on great music that many have not heard and I think this fits the bill. Adam is a great guy, incredibly humble and talented. In part 1 of the interview we talk about where Adam grew up, the vision behind the record and the story behind one of my favorite tracks “Broken Binds Us.” I also give a sneak peak of the tune in the video.